When we tear down statues, it is an attempt to alter the trajectory of history. Not history as just “what has happened,” which we can never change as much as reinterpret. No, this is history as a great unfolding, as something that is taking place and will take place on one route or another depending … Continue reading The Necessity of History, the Tragedy of Aesthetics
“When history is written as it ought to be written, it is the moderation and long patience of the masses at which men will wonder, not their ferocity.” – CLR James Already the air is febrile, anxious, begging to move. It is easy to find the demonstration, with so many walking in the direction of … Continue reading From Plague to Rebellion
Pity the middling white ego. Noticing nothing but oppression as far as the eye can see. Having its drive back from the Hamptons interrupted by marching Black people, hearing people speak Spanish at the grocery store, encountering homeless people in broad daylight who refuse to decrease the surplus population. Oppression is positively everywhere for this poor, disgruntled … Continue reading Twenty-Five Things You Can Call a Concentration Camp Other Than “Concentration Camp”
Poway, California. The final day of Passover. According to one eight-year-old child in attendance, the shooter aimed for the kids first. The rabbi was shot through the hand, losing his index finger, and reports say that at first he attempted to continue speaking from the front. A member of the congregation, sixty-year-old Lori Gilbert Kaye, … Continue reading Here In the Empire
Today is the 40th anniversary of what is remembered in Britain as the Battle of Lewisham. On August 13th, 1977, anti-racist demonstrators, organized primarily by the Socialist Workers Party, faced down with the fascist National Front organization. The NF had been growing in influence and gaining votes by doing exactly what fascists do: exploit acute economic … Continue reading Lewisham. Charlottesville.
Before RoboCop was released in theaters thirty years ago this month, it was given an X rating by the Motion Picture Association of America. Director Paul Verhoeven, knowing that this was guaranteed box office death, went back and scrubbed his film no fewer than eleven times trying to achieve its eventual R rating. He toned down at … Continue reading Detroit’s Exterminating Angel