If the headlines are to be believed then a new relief bill is going to be passed any day now. Millions of people who have been tossed into poverty since the expiration of the CARES Act five goddamned months ago are going to finally be tossed a paltry lifeline. Whether it’s enough to lift them back out of poverty is an open question, given that the direct relief for working people – $600 stimulus checks, and an added $300 in weekly unemployment benefit supplement payments – is about half what it was back in the spring and summer.
Comparisons between Protomartyr and the Fall are so commonplace they’re almost trite. Almost, but not quite. Joe Casey inhabits a great many of the musico-poetic roles that listeners loved in Mark E. Smith: sarcastic ambivalence that could unexpectedly give way to sincerity, a talent for the vivid grotesque, the aura of a madman carnival barker harnessing the existential circus.
Depeche Mode have long suffered in the synthpop scene from what I call “godfather syndrome.” They aren’t the only act of massive influence who find themselves in such a position. Nor is it entirely, or even mostly, their fault. The irony of popular culture’s nostalgic time-loop is that it never really lets you see even … Continue reading Synthpop, the Left, and the Future That Refuses to Come