Tag: police

  • Lost Underground

    Lost Underground

    Los Angeles’ subway system is not as bad as common sense would lead us to believe, but the bar is very low. America’s second largest metropolitan area, spreading from the Pacific coast to the San Gabriel Valley and down to the borders of Orange County, has long been synonymous with American car culture for a…

  • On Disruptions and Defeats

    Of all the memorable scenes in Boots Riley’s enchantingly bizarre Sorry to Bother You, the most politically salient is when union organizer Squeeze (Steven Yeun) tells the fuming, disillusioned Cash (Lakeith Stanfield) why simple awareness isn’t enough. To truly puncture the veneer of spectacular (mis-)information, you need to cut off its ability to reproduce itself.…

  • California Is Coming for You

    California Is Coming for You

    It would appear that Joe Biden will have his honeymoon period after all. I’ll confess, I was ready for it to be vanishingly small, largely because Trump and his millions of minions were on the offensive, however increasingly embattled they felt. Now in the aftermath of January 6th they’ve scattered, in some cases turning on…

  • The Future Is a Cruelty

    The Future Is a Cruelty

    Comparisons between Protomartyr and the Fall are so commonplace they’re almost trite. Almost, but not quite. Joe Casey inhabits a great many of the musico-poetic roles that listeners loved in Mark E. Smith: sarcastic ambivalence that could unexpectedly give way to sincerity, a talent for the vivid grotesque, the aura of a madman carnival barker…

  • The Necessity of History, the Tragedy of Aesthetics

    When we tear down statues, it is an attempt to alter the trajectory of history. Not history as just “what has happened,” which we can never change as much as reinterpret. No, this is history as a great unfolding, as something that is taking place and will take place on one route or another depending…

  • Detroit’s Exterminating Angel

    Detroit’s Exterminating Angel

    Before RoboCop was released in theaters thirty years ago this month, it was given an X rating by the Motion Picture Association of America. Director Paul Verhoeven, knowing that this was guaranteed box office death, went back and scrubbed his film no fewer than eleven times trying to achieve its eventual R rating. He toned down at…