Compared to the hellish turn events have taken over the past four years, the Great Clown Panic of 2016 is easy to forget. But as I wrote at the time, this bizarre phenomenon – part prank, part media hype, part soccer mom moral panic – was not as alien to America as it appeared. Far from it, it seemed to be symptomatic of a country whose already threadbare psyche was completely unraveling. If you believed in omens, it would be easy to see this as a preamble to something far more menacing in store.
Depeche Mode have long suffered in the synthpop scene from what I call “godfather syndrome.” They aren’t the only act of massive influence who find themselves in such a position. Nor is it entirely, or even mostly, their fault. The irony of popular culture’s nostalgic time-loop is that it never really lets you see even … Continue reading Synthpop, the Left, and the Future That Refuses to Come