If the headlines are to be believed then a new relief bill is going to be passed any day now. Millions of people who have been tossed into poverty since the expiration of the CARES Act five goddamned months ago are going to finally be tossed a paltry lifeline. Whether it’s enough to lift them back out of poverty is an open question, given that the direct relief for working people – $600 stimulus checks, and an added $300 in weekly unemployment benefit supplement payments – is about half what it was back in the spring and summer.
For the past month we’ve come to grips with this strange yet somehow familiar feeling: history happening without our permission. Of course that’s always been how it is. How many of us have ever truly felt we’ve had definitive control over events? Damn few of us, that’s who. But still, in our schedules, our social engagements, our celebrations and obligations and deadlines, we we’ve always been able to cobble together some sense that things move along. That something called a future is, despite everything, still in store. And with that, something called hope.
Depeche Mode have long suffered in the synthpop scene from what I call “godfather syndrome.” They aren’t the only act of massive influence who find themselves in such a position. Nor is it entirely, or even mostly, their fault. The irony of popular culture’s nostalgic time-loop is that it never really lets you see even … Continue reading Synthpop, the Left, and the Future That Refuses to Come