Tag: film

  • On Disruptions and Defeats

    Of all the memorable scenes in Boots Riley’s enchantingly bizarre Sorry to Bother You, the most politically salient is when union organizer Squeeze (Steven Yeun) tells the fuming, disillusioned Cash (Lakeith Stanfield) why simple awareness isn’t enough. To truly puncture the veneer of spectacular (mis-)information, you need to cut off its ability to reproduce itself. “If you get shown a problem, but have no idea how to control it,” he says, “then you just decide to get used to the problem.”

  • The War On Christmas Has Come Early This Year

    The War On Christmas Has Come Early This Year

    Santa Claus is a fascist. He always has been and always will be. I can hear your shock and outrage at my writing that from here, but I have the facts on my side. Not only does this man run a sweatshop whose workers are basically treated like slaves, his whole reason for being is that he can bring gifts only to Christian kids. We’ve seen this type of selective charity before, but most of the time the groups that do it have been named things like “National Socialist People’s Welfare.”

  • Why Won’t You Die?

    Why Won’t You Die?

    He has survived. This braying, sniveling coward whose vindictive petulance has led to the deaths of over 200,000 people, has survived. Of course we always knew he was going to. He has access to the best treatment imaginable – round-the-clock care, experimental drugs, even a hospital room that looked more like a suite at the Waldorf. A few caveats aside – “not out of the woods yet,” his shortness of breath – Donald Trump has survived Covid-19.

  • Time to Die

    Time to Die

    I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die.  Rutger Hauer likely had no idea he was presenting humanity with its own perfect […]

  • Detroit’s Exterminating Angel

    Detroit’s Exterminating Angel

    Before RoboCop was released in theaters thirty years ago this month, it was given an X rating by the Motion Picture Association of America. Director Paul Verhoeven, knowing that this was guaranteed box office death, went back and scrubbed his film no fewer than eleven times trying to achieve its eventual R rating. He toned down at least three execution scenes and cut out countless blood spatter shots.

  • The End Has to Begin Somewhere

    The End Has to Begin Somewhere

    During the 2016 American presidential election, a poll was conducted that jokingly included an option for a giant meteor. In other words, it was asked whether potential voters would rather a massive asteroid collide with the Earth than any available candidate become president of the United States.