Watercolor, ink and pencil on paper (11in. x 14in.) Companion to my poem “Suburban Lightsick Lullaby,” which appeared in Locust Review’s third issue.
It would appear that Joe Biden will have his honeymoon period after all. I’ll confess, I was ready for it to be vanishingly small, largely because Trump and his millions of minions were on the offensive, however increasingly embattled they felt. Now in the aftermath of January 6th they’ve scattered, in some cases turning on each other and Trump. They’ll be back, and sooner than we might think, but for now they are frustrated and chastened, unable to build on their success. Trump is, compared to even a month ago, isolated. His staunchest supporters in Congress are starting to get a sense of what they’re up against, relying on increasingly performative batshit to keep themselves in the headlines.
For the past month we’ve come to grips with this strange yet somehow familiar feeling: history happening without our permission. Of course that’s always been how it is. How many of us have ever truly felt we’ve had definitive control over events? Damn few of us, that’s who. But still, in our schedules, our social engagements, our celebrations and obligations and deadlines, we we’ve always been able to cobble together some sense that things move along. That something called a future is, despite everything, still in store. And with that, something called hope.