Nobody ever remembers everything they want to say during an interview. Particularly when it is about music, and even more when it’s music you love. There is always an artist you want to bring up, one that not only illustrates your point but you want to mention simply because they’ve managed to touch your own being and bringing them up feels good.
Comparisons between Protomartyr and the Fall are so commonplace they’re almost trite. Almost, but not quite. Joe Casey inhabits a great many of the musico-poetic roles that listeners loved in Mark E. Smith: sarcastic ambivalence that could unexpectedly give way to sincerity, a talent for the vivid grotesque, the aura of a madman carnival barker harnessing the existential circus.