Detroit’s Exterminating Angel

Before RoboCop was released in theaters thirty years ago this month, it was given an X rating by the Motion Picture Association of America. Director Paul Verhoeven, knowing that this was guaranteed box office death, went back and scrubbed his film no fewer than eleven times trying to achieve its eventual R rating. He toned down at … Continue reading Detroit’s Exterminating Angel

Synthpop, the Left, and the Future That Refuses to Come

Depeche Mode have long suffered in the synthpop scene from what I call “godfather syndrome.” They aren’t the only act of massive influence who find themselves in such a position. Nor is it entirely, or even mostly, their fault. The irony of popular culture’s nostalgic time-loop is that it never really lets you see even … Continue reading Synthpop, the Left, and the Future That Refuses to Come

The End Has to Begin Somewhere

An observation: in today’s world, “pretentious” is normally code for “this is something I would rather not think about and therefore I am going to judge it harshly without considering it.” During the 2016 American presidential election, a poll was conducted that jokingly included an option for a giant meteor. In other words, it was asked whether potential voters … Continue reading The End Has to Begin Somewhere