Time to Die

I’ve seen things you people wouldn’t believe. Attack ships on fire off the shoulder of Orion. I watched C-beams glitter in the dark near the Tannhäuser Gate. All those moments will be lost in time, like tears in rain. Time to die. 

Rutger Hauer likely had no idea he was presenting humanity with its own perfect eulogy when he said those words. According to Ridley Scott and screenwriter David Peoples, Hauer made several last-minute changes to the soliloquy he was about to deliver on the set of Blade Runner.  

The original text of the monologue, though about the same length, included a few more oblique references to the film’s universe. Roy Batty was to have watched “C-beams glitter” from “on the back decks of a blinker.” He burning attack ships were to be described as “bright as magnesium.” 

Hauer removed much of this, describing it as “opera talk,” adding nothing to the film. And then he added “All these moments will be lost in time, like tears in rain.”  

His delivery similarly struck the balance between the marvel of being human and the vast destructiveness of a world that has grown so violently beyond the limits of a single planet. Though the other replicants simply and understandably are afraid of dying, of having their short consciousness snuffed, Batty stands apart as a lifeform in deep and unrequited love with his ability to live.  

Even the manner in which he says “tears in rain” is that of someone who has just discovered that he is able to come up with such a simple yet sublime metaphor. And though we’ve seen Batty do brutal and gruesome things to others throughout the film, we have also rooted for him as he spends his last moments thrashing against the inevitability of his own death. We have to regard the unfairness of seeing his consciousness slip away while the world that teased him with it gets to continue. 

Of course, that world isn’t continuing. It’s ending. At the time of Blade Runner’s release the idea that a society would so willfully and cruelly design itself into its own doom was a controversial one. Words like “cyberpunk,” “global warming” and “neoliberalism” were still only edging into wide consciousness.  

The film flopped at the box office. Years and decades were spent re-cutting it. Scott rightfully knew he was on to something with Blade Runner, but finding the right way to end and tell the story, the perfect way to articulate the something, was a challenge. 

We know very well what he was onto now. In 1982, viewers still had to imagine such a bleak world. Today we are seeing it converge into reality. David Harvey and others have spent years saying that this future is more or less in the DNA of the contemporary city. To walk around Los Angeles, a city of obscene wealth and inequality exposed to increasingly hostile elements, that rapidly shifts between development and neglect and decay, still grasping in vain to convince anyone who will listen that it contains the seeds of an unlikely future, is to see this premonition borne out. 

And so we have caught on. Blade Runner is a classic. One of the greatest films ever made. And in no small part due to the performance of the now late Rutger Hauer. Our own short memories have had Batty’s dying soliloquy etched into them because, past all the pollutants we have shoved into them, we know when we are seeing something purely and magnificently human. 

We too have seen things we wouldn’t believe. Whole cities flooded and burned simultaneously. Gargantuan glaciers come apart like a child’s sand castle in the wind. We know that we’ve created what we’re seeing and can’t help but marvel at the raw obliteration we are capable of unleashing. Even by accident. 

We have, in that recognition, attempted to replicate it. To convince ourselves that we can push our collective human awareness past extinction. In so many other films and books and TV shows that populate the glut of 21st century sci-fi. We have even made a sequel which, unlike its predecessor, was a notable success at the box office. 

But Blade Runner: 2049 was not the accurate sequel. It never could be. The only sequel worthy of the original would by its nature have to be far simpler. And by dying the same year as Batty, Hauer managed to achieve it in a haunting, terrifying, heartbreaking way.  

He reminded us that mortality isn’t a fantasy, or a plot device rendered by a unique and versatile actor. That sapient beings will die. Are dying. Are being killed by forces we created but are now well beyond our control.  

Fair? It’s never a question of fairness. Only of how we ultimately fit in with the same cosmic logic that leaves all of us in awe.  

The Spectacle of Independence Day

This July 4th let’s ponder the way in which our lives are dominated. Our existence slyly orchestrated. Our experiences siphoned down highways dotted with endless signs that ask in that prodding way “why aren’t you happy yet?”  

“Kids are in cages” we answer. “They are ripped from their families trying to escape violence and poverty that this country created in their own. They’ve been herded into pens. They sleep on concrete floors.  

“They are deprived toothbrushes, clean water, ample food. They are watched over by vicious and unfeeling people who have been trained every step of the way to dehumanize and humiliate. We cannot be happy in the midst of this.” 

Armed guards step out from behind each of the signs. They ready their rifles. And they ask, once again, “why aren’t you happy yet?” 

* * * 

Fifty years ago Guy Debord and the situationists looked at the way in which the logic of commodity had insinuated itself into every aspect of daily life. Building on Marx and Lukács he zoned in on the concept of reification, the way in which a commodity makes the manufactured seem natural, and the social relations of any given time appear eternal. Starting in the 1920s, mass media and consumerism had aided in the spread of this logic and its further transformation into a “common sense” worldview. 

This is the spectacle. Under the spectacle everything becomes a simulation of sorts. Materials and items are no longer viewed primarily in terms of what they can be used for but what their value is on the market. And since literally every item in our lives is a commodity, since even our time and consciousness are subject to that same process, every human interaction becomes transactional.  

With this transactional nature comes all kinds of other behavioral assumptions. We punish those who don’t live up to the transaction, praise those who do, conspire behind backs of both. Human bonds are based not on camaraderie, sympathy, solidarity, mutual recognition of talent, but on whether we can get back a return on what we invest in them. Every human interaction is mediated through this prism, and ideas that subvert them are easily sucked back into the system and sanitized. If commodity and bureaucracy present themselves as eternal and above history, what they achieve is placing us outside of the historical process, outside of our ability to experience and change the conditions of our lives. 

It is not quite correct to say that aesthetics play a role in this. More to the point, what the rise of consumerism, public relations, the streamlining of state and private media all managed to accomplish was a version of what Walter Benjamin called “the aestheticization of politics.” Aesthetics, the practice and study of how the environment can be changed to interact with our sensuous lives and subjective selves, becomes woven into political economy.  

For Debord the phenomenon of the spectacle could be accomplished through the implication of force (the maintenance of order through constant threat of violence that characterizes authoritarian states, which Debord called “concentrated spectacle”) or the illusion of choice in a society overwhelmed by commodities (“diffuse spectacle,” which we associate with consumerism).  

In most modern capitalist societies, however, Debord saw a fusion of the two prevailing. This he called the “integrated spectacle,” achieved through the close cooperation of state and private enterprise. Underneath the apparent abundance, very real and crude machinations of secrecy move. We are both convinced and coerced into the belief that this is the best of all possible worlds, systems, nations.

* * * 

In 2013 McKenzie Wark, radical author and one of the best living experts on the subject of Debord and the situationists, postulated that we had transcended the previous forms of spectacle. He wrote: 

These days one might speak of a disintegrating spectacle, in which the centralized forms of mediating the spectacle break down into fragments but retain their commodified form. Thus these days we all have to participate in making display ads and writing advertising slogans – selfies posed in newly purchased outfits – assuming the burden of doubling the consumption of things with the consumption of images. All against the background of what Debord called a sick planet, groaning under the weight of waste. 

Wark was correct. The brilliance of capitalism’s use of technological innovation has always been in its ability to parse and rearrange the process of production. It eliminates whatever it needs to eliminate and outsources whatever it can outsource. To make us not just complicit but active and enthusiastic actors in the market, even when we are not consciously working or buying something; this is truly genius. 

And yet one wonders whether the disintegrated spectacle even captures it anymore. As so many of the threats and specters we thought were long gone return and collide and mix with new existential threats. The new always brings with it markers of the old. Even as the disintegration continues, new ways are (re)discovered to integrate and infuse. 

Today, on July 4th, there is a military parade in Washington, DC. Awesome destructive power is rhythmically rolled through city streets, simultaneously encouraging wonder and threatening its use. Spectators cheer and clap and listen to music. We become even more emotionally invested in a system that when push comes to shove will gladly use that same force against us. 

Meanwhile, so much of online chatter seems to be boosting and reifying the idea that we should not call them “concentration camps” (we fucking should). But of course, given what we know of the medium, this narrative doesn’t just come from the “top down.” It’s not melodramatic to say that we are supervisors to our own virtual petty bureaucracies in which others read as disposable. This is the shape of participation in a process in which we are monitored and manipulated, in which commodification and securitization are quickly becoming synonymous. 

Is this a new phase? Are capital and the spectacle showing themselves capable of centralizing through decentralization? Hasn’t this always been how it operates to one degree or another?

Is the Trumpian moment, with its reality show redeployment of “America First” rhetoric, simultaneously searching for new ways to isolate and atomize, the moment of, for lack of a better term, “re/dis/integrated spectacle”?  

And what, exactly, does this mean for resistance? Actual resistance. Not the kind that comes with a hashtag in front of it. 

She Has Come For Your Uncool Niece

I had no idea who Marianne Williamson is before Thursday night’s Democratic debate. But I have seen Marianne Williamson before. We all have.  

We’ve been seeing her for nearly thirty years, occupying that liminal space that is marginal but still mainstream, crank but still credible in the post-kombucha world.  

She is the voice lecturing an exhausted Whole Foods worker from the pages of a yoga magazine.  

She is the kind of person who sees crisis and opportunity as the same thing because she still thinks that they actually are the same word in Mandarin.  

She is Gwyneth Paltrow’s sentient second head; the one that we have all secretly dreaded in our nightmares.  

I have seen Marianne Williamson before. We all have. She is a certified organic outgrowth of American culture and politics.  

* * * 

“Heal the soul of America” is the motto on her website. And though it and her untethered tweets won’t likely deliver her a presidential nomination, her motivational poster tone is at home with the vagaries of American politics pulling against their own rudderlessness and a liberalism very bad at covering up its elitism. They also tell us something about the darkness that can come out of such directionless drifts. 

She is obviously and commendably right about plenty of things. She has showed up at demonstrations against the concentration camps. Her website contains rhetoric against union-busting and more. She is anti-war. And there is a worldview in which these can sit comfortably next to a history of neo-Victorian “self-help.” In such a worldview there are certain actions that don’t count as union-busting, things that can be “healed” rather than repaired, gaps in the societal infrastructure that are filled by nothing but sentiment and aura. 

Let’s be clear: on an individual basis there is no problem with meditative or spiritual practices. I meditate twice a day and shudder to think of how my anxiety would overwhelm me if I didn’t. You go to an acupuncturist? Do yoga? Put crystals by your bed? Whatever you have to do to hold on to your sense of subjective self in an objectively bleak and devastatingly cruel world.  

In a system that overwhelms us and inserts itself into our thoughts every chance it can get, we do whatever we have to in order to get a sense of quietude, reflection. There is a gap between the work we are coerced into and our actual desire to labor with interest, to use our creativity, that can only be called inhuman. And it is why so many artists who rely on a seemingly odd spiritual practices are able to so deftly find unexplored angles of daily existence in a world that we are told should be a certain way.  

There is, after all, a whole history of left-wing and Marxist sympathy with the deep exploration of the self, of attempts to “disalienate” it. Not to mention serious left-wing engagement with theology that have boosted and supplemented our understanding of history. It’s why the declarations of “just focus on your activism” from so much of the boorish left regarding mental health not only fall insultingly flat but ignores significant portions of Marxist cultural thought. 

What “wellness” philosophies offer is something altogether different. In fact they far more often achieve the opposite of the exploration of self and subject. These ideas and practices, paid for and exchanged, take on the character of anything instilled with the logic of commodity. They are one-size-fits all and disregard psychological and physiological nuance. They promise more than they deliver, and invite us to rearrange our identities around them, leaving us feeling less fulfilled and whole than we did before. 

And then there are the outwardly harmful ideas. “Functional medicine,” anti-vaxx, even HIV denialism (all ideas that Williamson has skated dangerously close to). There is of course a wide gap between downing a shot of wheatgrass every morning and refusing to vaccinate your child. But the overarching conversation of what is “natural,” completely unmoored as it is from any notion of accountability or rigor, is underlying every transphobic troll asking about “who is a real woman.” It is in every proto-eugenic discussion about which developing country deserves to drown in a flood.  

* * * 

All politics at some point has to confront the process of how the subjective becomes the objective. And when meditation is promoted in lieu of universal healthcare, when “mindfulness” becomes an excuse for companies to abuse and overwork, there is likely all manner of manipulative pseudo-philosophies afoot. 

Hell, capitalism itself is based on the phantasmic notion that wealth simply creates itself. So really we cannot be all that surprised that this type of ideological filler is rising up into the cracks. Labor does not create wealth for Marianne Williamson, it comes from “self-actualization.” Never you mind that her and any version of self-actualization requires some amount or another of resources. Resources that cost money. Money that evidently comes from the ether of good vibes.

Nicole Aschoff’s The New Prophets of Capital is good on this. Particularly in relation to Williamson’s media patron Oprah Winfrey. Winfrey of course has peddled a litany of snake oil salesmen into American culture. Is Williamson a pilot fish for an eventual Winfrey/Williamson ticket in 2024? 

It’s far-fetched but then so was a charlatan reality star as president who denies every piece of climate science that is put in front of him.  

I have seen Marianne Williamson before. We all have. 

Twenty-Five Things You Can Call a Concentration Camp Other Than “Concentration Camp”

Pity the middling white ego. Noticing nothing but oppression as far as the eye can see. Having its drive back from the Hamptons interrupted by marching Black people, hearing people speak Spanish at the grocery store, encountering homeless people in broad daylight who refuse to decrease the surplus population. Oppression is positively everywhere for this poor, disgruntled soul! 

Now, there’s a new addition to the long list of oppressors of the white ego: the act of definition. The dictionary, the thesaurus, the mutability of the English language that somehow still refuses to let you speak to the manager, even the guy who invented Godwin’s Law. Whose name I can’t seem to remember… 

Alexandria Ocasio-Cortez thinks that, just because people of a certain racial and ethnic background are being separated from their families and detained without trial at the border, she can draw some kind of historical parallel to other times when people of a certain racial and ethnic background were separated from their families detained without trial.  

How dare she? Doesn’t she realize that if we want to defeat the right then we need to appease the right? That the fragile ego is best when it is coddled and that it won’t by any means take advantage of our generosity? Maybe it’s just me but I don’t think we are going to get anywhere by riling up the likes of Dick Cheney’s daughter. We all know she’s learned how to waterboard by now…  

And so, in that spirit, in the American spirit of compromise and reaching across the aisle, here are some alternative names for that loaded, ugly phrase “concentration camp.” 

1. Civility Camp 
2. America Was Already Great Camp 
3. Euphemism Camp 
4.Trump International Hotel Rio Grande 
5. Plausible Deniability Camp 
6. Camp Where People Are Concentrated  
7. Liz Cheney’s Wacky Fun Time Camp 
8. Freedom Camp (with fences and bars) 
9. Friendly Neighbor Camp 
10. Concentration Lamp 
11. The American Prison System
12. The Circular Route of History Makes Me Uncomfortable Camp  
13. It’s Not a Concentration Camp Because You Don’t Like to Think You’d Have Been a Nazi In the 30s But It’s Definitely a Concentration Camp and You’d Definitely Have Been a Nazi In the 30s Camp 
14. ICE Bucket 
15. Camp of American Exceptionalism 
16. Mean Puerto Rican Lady Made Me Cry Camp 
17. Gary 
18. The American Public School System 
19. Guantanamo 
20. The American Mental Healthcare System
21. I Can’t Believe It’s Not a Concentration Camp!
22. We’re Still Charging You $1850 a Month In Rent Camp 
23. Actually, They Were Fascists, Not Nazis Camp 
24. Ignore That FDR Also Called the Japanese Internment Camps “Concentration Camps” Camp 
25. Disneyland 

Disclaimer: Lest anyone think I am “making light” of all this, I’ll simply paraphrase Stewart Lee and point out that the aim of this post is to use the rhetoric and implied values of the American moderate (and by extension the American right) to satirize the rhetoric and implied values of the American moderate (and by extension the American right). And even if you’re made squeamish by that, perhaps this explanation will nonetheless save you the trouble of writing an angry and useless email. 

Of Unfinished Revolutions

Here’s a series of questions for my “fellow” Americans. Answer honestly. Do you really need to know what Prince Harry and Meghan Markle named their son? Should you even give a blue shit? Is the fact that you have twelve years to stop your city from sinking underwater in any way impacted by the naming habits of people who have space reserved for them in the nearest sealed doomsday biodome?  

The answer to all of these questions is, naturally, no. And yet you know his name. It’s Archie, the little bastard. You may wish that part of your brain was occupied by more useful information, but there you have it.  

Gertrude Stein once said something to the effect that the United States is the world’s oldest country because it was the first to enter the 20th century. A fascist-sympathizing hack she may have been, but she was onto something when she said this. History never moves in a straight line, and as nations surge ahead their dominance creates complacency that soon renders them anachronistic. But we Americans love our linear time. It’s behind every single sanctimonious parable of American exceptionalism. And it’s why we’ve given the world some of its most insufferably thick historians. 

We love to talk of progress. But the contradiction of progress is that in a society where resources are so unevenly distributed, it is always incomplete. The same progress can merely widen the gulf, transforming the mildly backward into a jarring rift in space-time.  

And so it tracks, perfectly and tragically, that in a time of abject cultural decay, we have this homuncular notion of American culture that not only tolerates monarchy, in all its long history of parasitism, but outright celebrates it.  

It’s an even more brazen example of what I described regarding Anna Sorokin. Industrial society moves toward democracy, stops halfway. That society has a need to valorize its limited social mobility compared to a system dominated by divine right. But as its organs of democracy both formal and everyday continue to atrophy, this valorization mediates the gap between the haves and have-nots. It obscures the gap’s causes by blurring the lines between meritocracy and self-entitlement. Divine right, mutated by two hundred years of partial sunlight, once again rears its head.  

And here we are at the current conjuncture. When billionaire reality TV stars can become president despite losing the popular vote, when Kylie Jenner is defended with a straight face for “earning” her billion dollars, is it all that surprising that the British monarchy is the object of this particularly American form of fawning? 

Yes, some of it is a reciprocation of the royal family’s twenty-year-long “We Didn’t Kill Diana” PR campaign, in which “commoners,” even American actors can seize the throne. For sure, it has made things easier on the royals themselves. Eighty years ago the king had to abdicate before marrying an American and meeting with Hitler. Now, all a royal has to do is dress like Hitler before marrying the American! 

The American revolutionary experience was, to put it mildly, an uneven one. It hadn’t the involvement of plebeians or women that we saw in the French Revolution. And naturally its insistence on maintaining chattel slavery was one of the reasons that the Haitian Revolution and eventually the Civil War became necessary. If there is anything that it had going for it, though, it was its anti-royalism. Its belief that a bunch of oblivious, inbred, gout-ridden toffs had no business telling anyone what to do.  

And now these same remorseless cretins have danced under the radar back into your hearts? Where is your spine? Where’s your sense of dignity? Where (sweet merciful crap, I never thought I would write this) is your patriotism? 

Lewisham. Charlottesville.

Today is the 40th anniversary of what is remembered in Britain as the Battle of Lewisham. On August 13th, 1977, anti-racist demonstrators, organized primarily by the Socialist Workers Party, faced down with the fascist National Front organization. The NF had been growing in influence and gaining votes by doing exactly what fascists do: exploit acute economic anxieties by pointing the finger at immigrants and people of color. On that day in the London Borough of Lewisham, they were organizing what they called an “anti-mugging rally,” claiming that Black and Caribbeans were responsible for a disproportionate number of muggings and assault. Lewisham, a majority Black and brown area, was chosen for the site as a deliberate provocation.

The National Front were thoroughly routed that day. Five hundred of them tried to march to the town center; they were met by 4000 counter-demonstrators. Many were members of left-wing and anti-racist groups, but they were primarily youth from the surrounding neighborhoods. Police attempted to protect the NF march, but the anti-racists broke through the line several times to chase them off. The fascists ended up having their final rally in a parking lot before being escorted to the train by police. The cops, furious at being humiliated, continued to attempt taking back the streets, but in the end it was the counter-demonstrators who won out.

Here’s David Widgery, writing in his book on Beating Time: Riot ‘n’ Race ‘n’ Rock ‘n’ Roll.

The mood was justly euphoric. Not only because of the sense of achievement – they didn’t pass, not with dignity anyway, and the police completely lost the absolute control [Police Commissioner] McNee had boasted about – but also because, at last, we were all in it together.

In the end there was a lot that came of Lewisham. The Anti-Nazi League was formed, Rock Against Racism (formed a year earlier) gained greater exposure and momentum, and the NF were faced down several more times before drifting into the background of organized politics. Some anti-racists and Leftists were locked up. Others, like Misty in Roots singer Clarence Baker, sustained life-threatening injuries. Still others, Blair Peach for instance, were killed. But there were also moments like those described by Widgery, including (sometimes literal) carnivals of the oppressed. There were intense and beautiful moments of victory, of seeing an ugly racist threat pushed out of public space and giving way to multi-racial crowds becoming unavoidably aware of their own power, feeling a freedom that is all the more thrilling for it having been fought for. The movement didn’t end racism in Britain of course, but it created space for a multi-racial resistance that was able to push back its worst manifestations.

There is something breathtakingly eerie about this anniversary falling when it does. Calendars have no will of their own of course, but the commemorations they allow are what give us the ability to change the meaning of the past. To see where the unfinished business lies and perhaps identify the link that, if broken, might prevent future history from going in the same destructive circles. Present struggles unearth different meanings of past events that have been hidden under the rubble of ideology. 

Historical parallels are imperfect things and severely limited in what they can teach us. Partially because there is a temptation for them to become inert and predetermined. But if we can step back and look at the possibilities of not just what did happen but what might have happened had participants chosen a different way, the dynamics of what is playing out now start to seem obvious. Watershed moments do not merely happen. Their meaning is shaped and reshaped over time by those who step into a breach.

Lewisham. Charlottesville.

National Front. Alt-right.

Thatcher’s fears of Britain “swamped by people with a different culture.” Trump’s ravings about “bad hombres.”

Blair Peach. Heather Heyer.

The raw organizational materials of the Anti-Nazi League. Those who marched and ultimately outnumbered the fascists yesterday.

There are plenty of open questions thrust upon us by the realities of notions like unity or, more pointedly, a united front. These questions are hard to answer when your own are in the hospital or in the morgue. But they also must be asked. History must be engaged. Not just as the past but as something currently unfolding. Possibility refuses to present itself unless we do. 

This post originally appeared at an earlier blog that I used to run. I have migrated it with its original post date.

Cut Threads

The world is an unsafe and painful place. Warsan Shire’s description of what the atlas answers when she asks where it hurts – “everywhere / everywhere / everywhere” – is impossible to deny.

Britain: two terror attacks in just about as many weeks. Both claimed by ISIS, both during an election campaign in which a leftwing, anti-austerity candidate with a solid anti-war record looks set to surpass the ghoulish status quo.

One could be forgiven for thinking that Manchester would mean a safe victory for Theresa May. Conservatives are experts at exploiting fears of insecurity after terror attacks, using them as a cudgel to beat anti-racists and peaceniks alike. It backfired this time. May’s move of putting the army on British streets merely set up Jeremy Corbyn to say what most had known for some time: that fifteen years of a war on terror had made the world dramatically less safe.

Now, another attack. This time on and near the London Bridge. It further proves Corbyn’s point. One may be tempted to be generous to May and think she wouldn’t make the same mistake twice, but her ineptitude and that of the Tories may yet surprise us again.

Consider the backdrop. May, the Tories, and much of the political and media establishment have been hammering Corbyn over the past weeks about his somehow dangerous insistence that he would not push the infamous red button initiating a nuclear attack. Commentators are now made “nervous” not by the specter of nuclear holocaust but by a politician’s refusal to initiate it. In the midst of terror attacks revealing just how far out of control the imperial project has spun the planet, the world’s rulers seem to be implying that if they can’t have it, nobody can, like a petulant four-year-old who would destroy their toys rather than share. Corbyn is chastised for being the adult in the room.

In reality, there is a great amount of consideration in what the establishment are saying. Even in their blinkered intransigence, there is cold calculation. Just because they are desperate doesn’t mean they lack motives. Method in madness, all that. Sam Kriss, in a characteristically thought-provoking blog post that went up just today, suggests that the harsh rationality of the nuclear age is more or less concomitant with the calculus of power and profit:

This is the ground of politics as administration and necessity and the root of the technocratic age. Once the life and death of every living thing can become a matter of calculation without ideology or ethics, so is everything else. People can starve to death in empty flats because there’s no magic money tree; thousands can drown on the Mediterranean because we don’t have the resources to take in any more. It’s common sense. Common sense in the twenty-first century is always common sense from the point of view of an atomic bomb.

There is, unavoidably, a cruel absurdity on the other end of this common sense.

This post originally appeared at an earlier blog that I used to run. I have migrated it with its original post date.